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| Author: Greg Gourdian |
Imagine you can see auras. People, plants, animals and inanimate objects appear to radiate a resplendent light. As you examine the colors and shapes of this light you begin to hear a voice inside you that guides you to understand the meaning of the colors and how they relate to the subject around which the aura emanates. Practice this imaginative process and begin to test the results of your perceptions. At first you may not seem to be getting accurate information, but with dedicated practice your imagination may result in the actual ability to see auras and divine real meaning through your new perceptions.
When reading Auras I have typically preferred to sketch a portrait of my subject on a roughly textured neutral gray paper with colored pastel pencils. Drawing the underlying form of my subject's face takes about five minutes to create a light sketch, meanwhile the act of drawing helps to move me into a more meditative, receptive state of mind where the colors begin to become clearer.
If no dominant colors or patterns are apparent then I consider each of the colors in order from red to purple/red in several repetitious cycles until I sense a harmony to particular colors begin to emerge. (A set of color flash cards or a color wheel can be a useful tool for this purpose.)
Since the colors are moving I must observe them for patterns and intensities and then render a montage of the themes I see so that the most striking or important parts are portrayed.
I talk to my subject as I sketch, making suggestions that return responses in my subject's aura which helps me to unravel the meanings of the colors and what is most likely transpiring in my subject's life that is being displayed in the aura.
Dark or clouded parts of an aura typically represent secrets or information my subject is repressing. Often these are things my subject is painfully aware of or is trying to deny.
Light, bright or shining parts of an aura indicate well being and balance.
Sparkling parts represent an anticipation of imminent events.
It is possible to see the influences of another person upon my subject as my subject focuses on that person; it may then be apparent what role that other person plays and whether they will help or hinder my subject in particular ways.
Like any psychic practice, the reader must always take into account their own state of being and must be careful not to project details of their own life into the reading given to a subject.
My paper tablet becomes a special window for me. On one side I contain myself so as not to contaminate what I see through my window. The life of my subject appears to me through my paper tablet. The window of my paper tablet assists me in maintaining the focus of my reading upon my subject while inhibiting me from interjecting a reading for myself into the process.
If you are not artistically adept you may still use the paper tablet and colored pencils, instead of striving to produce a likeness of your subject's physical features dispense with the portrait preamble and instead doodle as you study your subject until the inspiration comes to begin reading their aura.
My personal favorite combination of colors is Green and Purple. These two colors in combination represent Art in the Magick sense and creative activities such as writing or painting in the more mundane aspect. Typically this color combination is accented with Gold or Yellow. This is the property by which the Art or art speaks to us, transforming us.
The potential for Art (Magick) within the act of drawing a portrait is very strong. The reader may act as a healer and may attempt to downplay a theme that may be associated with pain or suffering while playing up themes of happiness and spiritual advancement. But it is necessary to guide the subject when applying any Art, for the lesson from a pending hardship may be needed by the subject and the lesson must still manifest within their life in some form. Typically this sort of lesson is replayed over and over in a subjects life; so instruction may be drawn from their past, such that they may finally 'get it' and dispense with the need for many further repetitions of a lesson which may become potentially harmful or unpleasant in nature.
The application of Art rarely prevents the next cycle of this repetitious lesson from playing out, but it may ameliorate the next cycle to some great or small degree and the subject may be better able to learn from the next repetition of their lesson if the reader has properly prepared them to perceive and understand their lesson.
To begin your own exploration of auras get some crayons and some rough neutral paper. The backs of brown paper shopping bags are very good for this. You can use photographs, objects around your house, pets, plants or people as your subject. Black and white photographs are particularly good for this sort of exercise. Place your subject against a neutral background such as an empty white wall. Study your subject around the edges, if it is a person, pay particular attention to the crown chakra where the energy channel is often strongest. (You may also try directly observing a subject's chakras.)
Personally, I find the edges of a subject's profile are the best places to begin seeing the interplay of colored light that emanates from within them. If you feel you see nothing, then imagine what you think you might see if you could see auras. Take notes with the colored pencils and try to associate your thoughts with the colors as you take notes. You can do this by just using the color crayon that seems most appropriate to you to write your thoughts with. You are not required to organize your perceptions in the form of a picture. Sometimes a thought may have one strong color and several associated colors. You can loosely overwrite whatever you have written with the same words in a different color when this seems appropriate, or you may find new words emerge as you select a new color in association with something you have already written or drawn.
Just allow this to happen; don't get too involved in how you do this or what you may want to know about a subject. Instead, open your heart and mind to every tiniest thought and feeling and follow these wherever they may lead you.
May your colorful pencils dance upon your pad of paper as your heart dances with creation... |
Author Bio:
Greg Gourdian
Fledgling author Greg Gourdian has worked with the general public as a psychic reader for a little over four years from 1981 to 1986. Much of his written work is channeled, although he will admit that he has no idea who many of the sources for his channeled work may be. He has many strange tales to tell regarding his spiritual journey and he attempts to tell his tales in a humorous or entertaining manner. While not an accredited teacher, Greg has taught classes in psychology, sociology, metaphysics and parapsychology.
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